Genesis of the Daleks

genesisSo here we are, at the start of the Time War.  OK, that’s not quite the whole truth because an episode in the Big Finish Gallifrey series explores the motivations behind sending the Doctor on his mission, and also it’s a whole lot of retrospective continuity, but nonetheless this is a very significant moment in Doctor Who because it is the moment the Time Lords go too far.  They have never exactly been the good guys, starting off as basically the Doctor’s enemies in The War Games, and since then they have been meddlers who say they don’t meddle.  Here is our greatest indication that their non-intervention is a charade.  This is what makes the Time Lords such an interesting parallel with politicians, or at least some of the worst that politics has to offer, because they talk a good talk about not getting involved and then try to bend things to their own preferences in a most fundamental way.  And in Genesis of the Daleks the Time Lords flip a coin on the fate of the universe and lose the bet.  By sending the Doctor back to destroy the Daleks they have two possible outcomes:

(1) He succeeds.  The Daleks cease to exist.  This is not wholly a good thing for reasons the Doctor explains in the story, but it’s the outcome they are looking for, because the alternative is what they get:
(2) He fails (or rather refuses to do the deed).  And then the Daleks retaliate.  We don’t hear much about this retaliation until Rose, but it happens nonetheless.  It just took a genius showrunner to realise what would naturally have flowed from this story.

And knowing the kind of man the Doctor is, how could they really have hoped for anything better than the second of those two outcomes.  So this is also the story that establishes beyond a doubt that the Time Lords are fools.  The problem is they are fools with a lot of power, and that’s a troublesome combination.

Apparently Terry Nation offered Terrance Dicks a script that was basically another rewrite of his usual themes.  We have had several mashups of his usual favourite themes over the years: deadly plants, invisibility, Daleks chasing the Doctor through time, Daleks vs Thals, etc, etc.  I don’t know what was included in his original, but there is no doubt that Dicks showed his usual stroke of genius by sending him off to have another go with the brief to write a genesis story.  Nation tackles some thorny issues for once (and no, Varga plants don’t count as thorny issues), and his story is concerned with survival at any cost, even if it means mutation into something horrific. The Doctor has the option of genocide (another wonderful speech) and turns it down, which is all the more amazing when you consider that he has just almost been strangled to death by some Dalek mutants. It says something about his character that he is so unwilling to take such drastic action, although it is debatable whether his motivation is for doing the right thing or avoiding having something nasty on his conscience.  This failure to do the big deeds will be returned to in the whole Time War story arc.  Sarah acts as the voice of the viewer here, attempting to persuade the Doctor to take some decisive action. It is a moment that really divides the viewers into those who are impressed with the Doctor’s moral standpoint, and those who are irritated by his indecision. His willingness later in the story to go and finish the job undermines the moment, and he does finish the job, albeit by proxy. Nonetheless, he and he alone reconnects those explosives.  It’s an aspect of Genesis that is wide open for debate, and a story that raises has these grey areas is one that has done its job well.

Then there is the exchange between the Doctor and Davros concerning a hypothetical deadly virus; Davros’s response to the Doctor’s question is absolutely chilling, and reveals just how far he is prepared to go in the quest for power. Michael Wisher does a remarkable job in scenes such as this, veering from human to Dalek-like speech as he gets more and more animated. Considering that he is concealed behind a fairly inexpressive mask, and his voice is the only tool available to get the characterisation across, the results are absolutely incredible.

Michael Wisher gives one of several memorable performances. Peter Miles would have stolen the show as Nyder in any other story, and Guy Siner achieves greatness with the disappointingly short-lived Ravon. The characters are made all the more interesting by the sheer amount of plotting and double-crossing, and that is what really justifies the six-part length; there is remarkably little padding, but a couple of the cliffhangers are rather contrived, and could have been stronger. David Maloney does wonders with the direction, even managing to make a quarry look convincingly alien for once. Like The Ark in Space, Genesis of the Daleks is a taste of what we can expect over the next couple of years, from the leadership of Philip Hinchcliffe. It is darker, more adult, and wonderfully stylish.

But this is not quite the best that Doctor Who has to offer, in my opinion.  It is riddled with mistakes, the worst of which is probably when Sarah falls outside the scaffolding but lands inside it – a very clever trick!  Then we have the scripts themselves which at times could have used another rewrite.  How does destroying the tape solve the problem of what the Doctor has told Davros? Does the Doctor think Davros’s memory will be so bad that he will not remember any of what the Doctor has said?  Why does Nyder co-operate with the Doctor and open the safe? It is not as if Sarah, Harry and the Doctor pose much of a physical threat to him (or indeed are threatening him at all) and he is a highly trained, ruthless military man.  Then we have a war that has been waging for a thousand years, despite the fact that the two opposing forces are within walking distance of each other and can sneak into each other’s domes quite easily.

But I can understand why for some people Genesis of the Daleks is the greatest of them all… and you’ve gotta love that big red button that says TOTAL DESTRUCT in big letters. Every Doctor Who story should have one of those.   RP

The view from across the pond:

I remember the start of my time with the Doctor with varying degrees of clarity but one image that stands out during those early days is a scene from Genesis of the Daleks.  The Doctor is in an incubation chamber connecting wires but is taking too long…  Sarah is calling out to him when the door bursts open, and she looks on in terror as the Doctor struggles with a creature at his throat… and the closing music begins.  I had to wait a week to see what would happen next!  Of course it would embed itself in my memory!

Genesis of the Daleks is an absolute classic.  For a start, we are introduced to the creator of the Daleks.  Suddenly, this alien enemy is given a backstory that’s almost tragic: a war that has waged for far too long has led to the creation of personalized tanks.  We don’t know what disfigured Davros so badly, but one can only assume it has to do with the war.  Davros makes a great villain; his virus speech is terrifying and glorious in equal measure.  His megalomania is overwhelming.  And his henchmen, Nyder, is a loathsome, despicable character.  The Kaleds are depicted as Nazis which gives added meaning to the Dalek war cry of “exterminate”.   It is an excellent introduction for a race that has been around for more than a decade by the time this episode aired.  And, although we won’t learn more about it until 2005, when Doctor Who rebooted, it’s very possibly the start of the Time War.  And what’s more upsetting for the Doctor is that his own people, the Time Lords, started it by sending him on this very mission!

Roger coverage of this episode sums it up wonderfully.  I have little to add, however, since my first viewing of it, I’ve become a parent.  As a parent, one has to be discriminating in what we allow our children to watch.  Mary Whitehouse famously blasted Doctor Who for being too violent but I’d argue that it’s pretend violence, as opposed to the omnipresent news broadcasts we hear every day.  And if there ever were a case in favor of Doctor Who, it could be made with this story.  For one, the obvious parallels with World War II, the Nazi’s and the horrors of war are all great learning tools.  An allegory bordering on a history class, this episode does a very good job teaching through its depiction of the evil that people do without having to be “the real world”.  Furthermore, and perhaps more importantly, there’s the scene that crystalizes who the Doctor is when he debates whether or not he has the right to destroy the Daleks.  His argument, that there could be good because of the Daleks’ evil, is at the core of the moral compass the Doctor travels by.  Unwilling to be like his enemy, to become the monster he fights with, he does not press the cables together.  He rises above them.  And it is an enormous boon to his conscience.

Baker is, as usual, amazing, wonderful, fun to watch.  Sarah Jane, the best companion, is the audience.  The entire cast works to make this episode the magnificent piece of television history that it is.  There are a number of memorable moments but perhaps right up there with the best of them is the Daleks’ promise toward the end of the episode that they will emerge, grow stronger and eventually conquer the universe.

The Daleks have given us several memorable moments over the years with this episode at the top of their list.  I guess the Doctor was right again…

Out of all their evil, must come something good!   ML

Read next in the Junkyard… Revenge of the Cybermen

About Roger Pocock

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6 Responses to Genesis of the Daleks

  1. Mike Loschiavo says:

    I’d argue that regardless of his motivation, whether to “do the right thing” or not have something nasty on his conscience, both point to his considering it wrong to commit to the action. If it would weigh on his conscience, he knows it’s not the right thing. No?

    Liked by 2 people

    • Perhaps, although sometimes there’s no clear cut right decision and either way is a weight on the conscience. The Doctor lives post- Time War for a very long time thinking he is made the exact opposite decision in a similar situation. It’s a great scene, but perhaps if the Doctor was being more true to the character we expect then he would have decided to reject the mission long before he ended up holding those wires, for the reasons he states. It’s a matter of perspective – I know that scene is legendary but I remember watching it with a friend who absolutely hated that scene and enjoyed the rest of the story, because in that moment he was seeing on his television screen a weak-willed ditherer who should have made his mind up one way or the other a long time ago about whether to touch those wires together.

      Liked by 1 person

      • Mike L says:

        A fair point, absolutely. But as I recall, the Time Lords were a bit pushy and he was initially given the task to avert their genetic development or destroy them. Perhaps his initial idea was to slow them down, only to realize there was no way to do that.
        I agree, there is no right answer. I love the scene because it shows the Doctor evaluating based on choices, neither of which was good. He goes in with the intent of stopping a devastatingly powerful foe, realizes to do so would be in error and hesitates.
        Sure, in the ideal world he would have refused but nothing about it was ideal.

        I love ethical debates. I don’t think there can be a right answer, but I think it showed that he was willing to be introspective and avoid a calamity. And as you point out, he does contend with that guilt with his own people eventually. Faced with no good choices, one has to do the best one can!


        Liked by 2 people

      • Any Doctor Who story that sparks off debates has done a good job. Good sci-fi should make us think!

        Liked by 1 person

  2. Mike Basil says:

    It’s curious that your very thoughtful review of Genesis Of The Daleks is posted on an anniversary day of 9/11. Because it feels like a synchronous reminder of how easily anyone would want to be empowered to avert such historical infamies. Would we have the law without crime and would we have medicine without disease and disaster? Of course not. So the Doctor understands how the aftermath of a successfully averted infamy can be even more damaging. Looking forward for how such infamies can be healed in the present or future is the correct avenue and of course we know that’s been done before. I’m not saying that I don’t wish 9/11 never happened. But wishes for the past to be changed can potentially hinder us. Evil exists to be recycled into good and the tragedy of the Daleks can one day finally be proven to be no exception. Thank you for your review.

    Liked by 2 people

    • scifimike70 says:

      Two obvious examples of how the Doctor was right about something good coming from letting the Daleks exist:

      Susan found her soulmate in The Dalek Invasion Of Earth.

      The wonderful Edwin Bracewell would never have existed. He was created by the Daleks as a weapon of manipulation and war and yet he became authentically good. That was in all fairness more along the lines of science-fantasy, as opposed to the dark science-fiction that was Genesis Of The Daleks. But the realism of how evil can be transmuted into good was still there. When the Daleks return for Jodie’s era, that will indeed be promising given the quite compassionate nature of Jodie’s Doctor.

      Liked by 1 person

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