This week, I began working on a review for The Visitation when inspiration struck for a weekend article; possibly a series looking at each Doctor’s “Audience Identification Figures”.
It came from a piece of dialog between Adric and the Doctor, and how the Doctor responds.
Nyssa: Where are we going?
Doctor: Ah, in search of our Terileptil.
Adric: You know where he is?
Doctor: Yes… yes, that’s why I’m searching.
The Doctor, whose “always try to be nice but never fail to be kind” attitude, doesn’t quite live up to that kindness with Adric. And do we blame him? As companions go, Adric got a bum rap. This got me in a humorous mood and I started thinking about the notion that the companion is meant to be the audience identification figure. Which in turn, lead me to ask: “really? How’s that?”
Let’s face it, back during the classic era, Doctor Who wasn’t known for attracting mainstream viewers and those that it did attract had a history of being something of the local outcast. In fact, the classic image of the nerd might have been based on Doctor Who and Star Trek fandom. Shatner’s infamous “Get a life” skit on Saturday Night Live really drove that point home like a stake through the heart, making fun of the very people who ensured Shatner would never be out of work. But classic Doctor Who was that image, magnified! And it was predominantly a male fanbase. Of the female viewers… they made what, 1.5% of the audience? And the only reason it was above 1% was that Big Bertha, Brooklyn’s Bearded Behemoth, was watching and on her own pulled in more than a percentage. Outcasts, indeed. Oh, don’t think for a second that I’m making fun of “them”; I was one of them! I’m not coming from some “high and mighty” place, immune to the teasing! Who has two thumbs and was a nerdy-fan back in the early days? This Guy! I’m pointing those thumbs at myself, you know! Believe me, I remember the teasing and can only look back and say “haha, we won!” because, finally, all the stuff we loved back then has become mainstream and those fans are making all the movies and TV shows those other guys are spending their hard-earned cash on. So, believe me, like Jack, Rose and the Doctor, I’m giving us all high-fives as we fly off again into “time! And Space!”
But what was the attraction back then? Surely the audience wasn’t really identifying with the companion? We can largely thank David Tennant for his dashing good looks that worked like a light to a moth, bringing it a larger female audience. Once they arrived, the show captivated them as it always could have but they didn’t have the “bait”. Suddenly, a new generation of viewer popped up, bringing the reputation of fans up to much more respectable levels. The discovery was that there were Doctor Who fans that even held prominent jobs! VPs, doctors, lawyers… incredible! Who knew? (Should that be a question or a statement?) Vast numbers had their own places, having moved out of their parents basements! Many had even … get ready for this… kissed girls! Sorry, Bill Shatner, it’s true! And of those girls, there were many fans! They are so far on the other end of the spectrum from the early days too. Those I have encountered are beautiful, funny, intelligent… Basically, they are real people, just deeper than their non-fan counterparts. Go figure!
So what actually attracted the audience? The Doctor! Which begs the question, why is the companion always referred to as the “audience identification figure”? And what does that say about Adric?
Was Adric meant to be a lure to get female viewers? He wore the same pajamas every episode and when he did get to change (Black Orchid) he put the pajamas back on afterward! Maybe people who evolve from Marsh creatures don’t have body odor but I wouldn’t bet money on that. And he complained all the damned time; or at least that’s the lasting memory one has of the poor mathematician. His best interaction was the 10 minutes he had at the start of Logopolis, when it was just him and Tom Baker’s Doctor, probably because they were like two bachelors just hanging out before Tegan crashed the party. After that, he was competing for the attention of the Doctor and, failing to get it, trying to think on his own, usually with catastrophic results. Was this the way we wanted men to be portrayed to the female viewer? It’s no wonder the classic image of male fandom was one that got mocked all the time. Courtesy of our least favorite Alzarian, this was how Adric painted the male fan: we wear the same clothes every day and whine about not getting our way, often to the point of wanting to go home. (…Even when that home has a staple food that is watermelons filled with spiders from which we evolved… making it all a bit cannibalistic… Clearly their evolution was an up-and-down thing…)
Adric finally gets a good story with Earthshock and once again when he tries to think on his own, he dies horribly. As compensation goes, the human race evolved as a direct result of his demise. Kudos for going out in style and thanks for helping spawn life as we know it! (Sadly it took until 2005 for the nerd gene to evolve and give us non-geeky fandom! As I said, evolution: it’s an up-and-down thing…)
Well, you say, there were more companions than Adric! Sure. So was the audience meant to identify with Tegan and Nyssa? One was a biochemist from nobility who was an orphan, and saw her father get both murdered and younger right in front of her! Basically a traumatized genius… The other was a stewardess on her way to the job who preferred the cramped quarters of a plane to the TARDIS and was constantly trying to get back home, usually complaining in the process. I’m not sure who the audience was meant to identify with, but if public opinion boiled down to men being infantile, maladjusted creatures and women either complaining working class people or upper class, traumatized scientists, I’m not sure who they thought was watching the show. I have often said, it was no wonder Davison’s Doctor was viewed as the most vulnerable Doctor; look at the company he kept. By the time we got to Turlough, he wanted to kill the Doctor because he trusted a dude wearing a bird on his head! Get out much? And poor Peri was just a deeply confused youth. (Although I’ll throw her a bone because she was supposed to be American and she was probably confused by the improved accents!) And while Nicola’s Peri certainly ramped up the sex appeal aspect of the show, I don’t think it constituted “audience identification” so much as a “cheap shot to get more men watching”. Don’t worry, Trek pulled it off too with Jeri Ryan’s 7 of 9, but tried it weekly and without making any sense. (7 of 9 was a Borg for whom they were able to remove all the Borg implants with the exception of the highly dangerous ones: eyebrows, hands and breasts. But humanize her all they wanted, she never had a name, like, you know, Alice, and she never wore clothes like everyone else. All Peri did was wear a bathing suit to actually GO SWIMMING!) [Equally, in fairness, that one scene with her was far better than all of Jeri Ryan’s, but that’s beside the point!]
So there we have it: the companions of the 5th Doctor. A freak who complained until he died. A working class woman who complained that all she wanted was to get back to her job (this is counterintuitive by the way… most people complain that they want a holiday but have to work too much… she complained she had too much holiday and not enough work! Aussies!) A traumatized upper class scientist with no family (who eventually leaves the comfort of the TARDIS for a plague ship). A would-be murderer and political refugee who had no idea about fashions. And a confused American whose strongest skill was talking to plants. I feel vulnerable just talking about it. But I’m left no wiser as to who the audience identification figure was supposed to be if not the Doctor. Or for that matter, who the BBC thought was watching the show. It’s always fun to blame Michael Grade, but the whole thing confounds me!
I guess that means we still have at least one confused American! ML