Babylon 5: There all the Honor Lies

b5I have to take a moment to breath when I see that we’re watrching yet another non-JMS episode.  This is one of Peter David’s episodes.  He wrote Soul Mates earlier this season.    That was far from my favorite episode.  What did this one do for the arc?  Did it help it or not?  I’ll give it this: whether you like Kosh or not, he does help us attain “one moment of perfect beauty”.  This scene alone has sent chills down my spine each and every time I view it.  The “moment” is nearly 4 minutes long, and consists of little more than Gregorian chanting, but it’s beautifully done and something I have loved since the first time I saw it.  If we use our brains a bit, it’s not a very sensible scene though.  Who are these hermits?  Are they people who left Down Below to live in Down In The Tightly Cramped Areas?  Are they human?  Are these creatures Kosh brought on board?  How did Kosh know they were there unless he got into those spaces himself?  Does it matter?  Is it just a chance for John to explain the color bars on his badge?  Perhaps it’s just there to buy us 4 minutes.  Or maybe it’s just to help John center himself with the situation he’s gotten himself into in this weeks episode.  Whatever the reason, I’ll shut down the logic center of my brain for a few minutes of beauty.  It may not add much to the story, but it takes nothing away.  There can be “beauty… in the dark!”  And in that beauty, he realizes that even in a bad situation, he can find peace if he gives himself over to it.  (Now, I will remind those of you who have not watched the show 4 times: Kosh told Talia to “listen to the music, not the words” all the way back in Deathwalker.  Perhaps this is a continuation of that message, or the same message intended now for a different member of the crew!)

As for the rest of the episode… Sheridan kills a Minbari in self-defense, and that leads to trouble.  We can call this the A plot.  Cleverly, what we shall call B plot is about Londo learning that he was considered a joke, as was working on Babylon 5.  This is a bit sad, but also a realistic warning about prejudging things.  We can speculate how Londo is being viewed back home, but we won’t have to speculate for long.  Things are changing and we will see more of that.  Meanwhile Sheridan’s plight is pretty by the book as far as this style of story goes.  Nothing is added that helps it stand out from any other episode.  He’s framed, we know what he did was in self-defense, someone is out to get him and by the end, he’s going to be free of the accusation.  It’s textbook.  It’s all about seeing how it plays out and if I’m honest, it is well played.  The story does hold the interest but like the “beauty in the dark”, you don’t have to exercise your brain.  It’s all about how the episode feels, and it does feel good, contrary to the textbook plot.  I still love seeing Sheridan come out on top.  Sadly, I think his legal representative is there solely for the benefit of the viewer: she’s the same actress who played Na’Toth but she adds nothing to the story!

On the other hand, one area of success for the episode is back to the binge-able nature of the show.   “A certain Minbari once had to protect a certain Centauri…”  We are in season 2, on episode 15.  Season 1, episode 21, A Quality of Mercy, had Lennier save Londo some embarrassment by doing what Minbari never do: lie.  But the lie was done to save face for another, which is considered honorable.  Even with all that is going on with the Narn/Centauri conflict, Londo remembers that.  It’s a subtle thing, a thing that could be ignored, but it isn’t and I love the reality that it brings to the show.  Again, it’s that bigger-than-television world building and I have yet to see another show do nearly as good a job with it as JMS did with it here.  Then there’s the humor.  I love Ba-Bear-lon 5… or was it Bear-bylon 5?  Whatever it was, the reaction Sheridan has to it is fantastic.  The final scene of it floating in space is hilarious.  (Although, would that really have shown up on radar?)  Equally fantastic and weird is the image of Londo finding his “action figure”.  The fisheye camera angle is both inspired and disturbing.  (And here too, we can laugh considering Londo’s doll is not “anatomically correct” , which effectively … emasculates him in the eyes of his people!)   But my favorite line from the episode is a jibe at Star Trek: Deep Space Nine.  “We’re not some deep space franchise!  This place is about something!”  Let me take a moment: when B5 came out, I skipped it.  I did not skip Trek and when people tried to tell me how much better B5 was, I laughed.  Of course it’s not better than Trek!  And DS9!  That was an epic Trek … that trekked nowhere.  Still!  Trek was classic!  … When I finally watched B5 all the way through, I was converted.  So when I watched it a second time, this line really made an impact.  Babylon 5 is no deep space franchise.  Alas, I don’t expect it to age as gracefully as classic Trek did and may never attain the status Trek still has to this day.  It will always be my favorite until someone else writes something as epic but for the populace at large, it may just be a 5 year blip.  But even a blip can offer us a moment of perfect beauty.  ML

The view from across the pond:

Honour and shame from no condition rise;
Act well your part, there all the honour lies.

(Alexander Pope, An Essay on Man)

For the second week in a row we have the story of the week taking precedence over the season arc, and these continue to be the most watchable episodes. This one is a straightforward crime drama, with Sheridan being framed for a crime he didn’t commit (well, he did kill the Minbari, but the question is one of self-defence). In terms of the genre it does nothing remotely original, and the resolution comes via a simple act of bugging the culprit, but it is still a competent execution of this kind of story.

Writer Peter David uses the premise as an examination of xenophobia, but he fails to ask the right questions, never moving beyond the obvious, which is all very B5. Ashan is motivated by xenophobia, and he also has a deep hatred of Delenn, because she is different:

“I answer to other Minbari, not freaks.”

We are supposed to tut tut along to this, but in contrast we get the following comment from Sheridan played for laughs:

“Bald, with a bone on his head.”

All those Minbari look the same, you see. It’s funny, yes, but in an episode that is apparently trying to speak out on the dangers of xenophobia it’s awkwardly positioned. I’m not sure the writer quite realised what he was doing here, but casual racism is still racism.

“He’s still Minbari, with all the baggage that brings.”

All it needed was one line somewhere to indicate that the writer was not oblivious to the irony, and we shouldn’t be either.  The attempts to burst the bubble of the Minbari clan ethos work much better, and at times the writing is near-sublime:

“You can’t have larger ideals if the smaller ones get compromised. It’s like building a house without foundations. It can’t stand.”

It’s a bit of a strange one this week, with the episode constantly veering back and forth from great writing like that and moments that seem astonishingly unambitious and dull. A good example is Sheridan’s “lesson” where Mr Riddles sends him off to see some chanting monks for “one moment of pure beauty”. If he thinks a light show and a song qualify as “pure beauty” then he really needs to get out more. He should have said “one moment of pure cliché”.

The B5 Emporium stuff is also nothing more than pure padding, a bit of silliness to pad out the running time, with an in-joke for JMS’s benefit at the end (apparently the teddy bear eventually turns up in another show written by David). It’s funny (just about), but comes across as some kind of on-screen advertisement for B5 merchandise, and all that stuff with the Londo doll made me impatient for the episode to actually get on with things.

There were so many insignificant distractions throughout the episode, it was all like being thrown a load of crumbs and a meagre main meal. Even Talia popped up at one stage, just when I had blissfully forgotten about her existence altogether. But I did enjoy the B plot… no… C plot… D, E, F?

But I did enjoy the Z plot with Vir’s self-doubt, and Londo standing by his friend and building up his self-esteem and standing among his family. A couple of weeks ago Londo was looking for a real friend. His simple act of kindness this week showed that he was not quite “all alone in the night”.   RP

About Roger Pocock

Co-writer on Author of Editor of
This entry was posted in Babylon 5, Television and tagged . Bookmark the permalink.

16 Responses to Babylon 5: There all the Honor Lies

  1. scifimike70 says:

    Finding beauty in the dark and finding peace even in bad situations is, quite realistically, why I think we all enjoy so much and review these SF classics. Certainly so with Dr. Who and most profoundly so with Blade Runner. So this makes me reflect more on Babylon 5 for how dark it clearly was with much of its format. It reminds me of the popular rubber-band analogy. The more you pull back the rubber band, the further it springs ahead once you let it go. Hence the analogy that the further you hold yourself back into the darkness, the further you are propelled into the light upon releasing that darkness. The point is that you have to face the darkness to a considerable extent which, with the timeless wisdom of Dr. Who, Star Trek and Star Wars, is the educational value that we all naturally appreciate. So thank you both, ML and RP, for your timely reviews on this one.


    Liked by 2 people

    • scifimike70 says:

      In regards to how our choices for favorite SF shows and films, and even our agreement of what qualifies as the better SF classic, may naturally change over time depending on how newer SF stuff comes our way, Babylon 5 appealed to me enough without needing, in any sense of word, to be better than Star Trek. Did Black Mirror ever have to be a particularly better SF anthology than either The Twilight Zone, The Outer Limits or The Ray Bradbury Theatre? Of course not. It succeeded for achieving its own identity and certainly for how its enhancement of today’s issues on technology fell into place. Babylon 5 succeeded as the more conflicted space-age future than Star Trek that JMS clearly intended. Yet it was still adventurous in the universally diversified sense that Star Trek paved the way for.

      In reflection of how The Tomorrow People was ITV’s competition for Dr. Who, in the same sense that Magpie was for Blue Peter, did fans of British SF shows necessarily see either show as ‘better’? The realism was purely in reminding SF fans that even though Dr. Who earned its claim to fame, it wasn’t everything. It of course worked and yet Dr. Who would continually endure for its unique flexibility as did Star Trek, The Twilight Zone and The X-Files while they considerately gave Babylon 5, Stargate SG1 & Atlantis, The Outer Limits and Fringe their own spaces.

      Babylon 5’s claim to fame was never needing to be better than Star Trek. It had its own identity and earns an equally significant cult following. That’s why it’s an honor to share my own Babylon 5 reflections alongside those for Dr. Who on the Junkyard.

      Liked by 2 people

    • ShiraDest says:

      “the further you hold yourself back into the darkness, the further you are propelled into the light upon releasing that darkness.”
      Well, Sir,
      I hope you are right about that. Judging as I suppose one can by my own writing, I should be propelled into considerable light. At the very least, I hope that my writing sheds a bit of light in some needed places, because I would really prefer not to deal with any of the darkness.
      But you are quite right, Mike, in that we do have to go in to that dark.
      Chocolate, anyone?

      Liked by 1 person

      • scifimike70 says:

        Thank you, Shira. I think that another term for letting go of the darkness or anything could be breaking the cycle. Star Trek TNG: All Good Things and Dr. Who: The Zygon Inversion are among the most profound SF examples. I can agree that it shouldn’t be ultimately necessary to probe fully into one’s own darkness. At least I’ve often found that the specific darkness to be released doesn’t require a graphic view. It was a film called The Shack, where a man must forgive a monster without actually viewing that monster (just a red mark that serves as a reminder and a bug in his fist like a kind of analogy), that made me realize how much we could be spared, even if forgiving may still be personally trying. Thankfully though, going into the dark never means being deprived of our own light. Even within Hell, there can be a path to Heaven.

        Liked by 3 people

      • ShiraDest says:

        Very good point. Finding and keeping fixed on that path, though, can try the patience and be wearying. Some times I feel so weary that -hey, I just realized that my protag felt this way in a story a while back, and is getting better! Ok, maybe story is one way to find the path, even if it’s not mathematical?

        Liked by 2 people

  2. ShiraDest says:

    Thank you, gentlemen, for your thoughts on this one: I’ve never especially liked it, so it is good for my horizons to be stretched by your views of this episode. I’m especially gratified to see that quote, as I’d not realized that the title came from a poem.
    I’ll be citing your review in mine, next week, and I’ll drop back by after it posts Monday morning to leave the link.

    Stay safe, All,

    Liked by 1 person

  3. ShiraDest says:

    Hi, Guys: here is my review, rather paltry though it is, for this week. As the url shows, I had a bit of a struggle with the editor and my draft. Lack of grey matter after burning all of my neurons editing my 1st Draft of Do Better, sorry, gentlemen.

    Minbari Mondays, There All the Honor Lies, and Mercy

    We live for the One, we burn out our brain cycles for the One.

    Liked by 2 people

  4. ShiraDest says:

    For some reason I cannot register a Like on this post. Odd.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s